14th September, Geese took to the Bodega stage to perform a sold out show that did not disappoint! A compelling, electrifying and intricate performance that exhibited their evolving talent, there really isn’t any band like Geese! Natalie Howarth reviews.
Following the anticipated release of 3D Country in June, their second studio album, the charismatic New York quintet set off on their EU tour in late August and performed predominantly this album, one that combines their post-punk origins with brighter and playful hues. Having written and produced their debut, Projector, in high school in 2021, their age does not translate in their performances, exuding a natural air of energy and experience that never fails to impress.
Opening with Domoto, a more mellow start to the set, with lyricism that explores the emotional struggles and complexities of modern human connections and the self. Following on from this, their second track 2122 was an instant hit and produced the high energy of the set that was maintained and never fell. Vocalist Cameron Winter distorts his voice to achieve a weird and wonderful quality, assisted by a blues-style guitar riff that shifts constantly and in an unpredictable manner, well received by the flow of energy from the crowd. A distinctive track that shows Geese’s reconceptualised experimentation that defies genre categorisation, I found myself moved from my original space to in the middle of the pit and jumping around; this track really kicked off the night.
With an emphatic guitar riff powered by passion and vigour, the next track on the setlist Mysterious Love rocked the four walls of Bodega. Following on from this, I See Myself is a unique track on 3D Country as it resounds gospel backing vocals, infused by inspiration from the 70s funk persuasion. Following on from I See Myself was Jesse, a single released 10 days prior to their stop off in Nottingham: initially a fast-paced song that morphs into a slower song with a psychedelic vignette, displaying their musical range- it really does show that Geese can do it all!
Disco, their first single, was performed mid-set and it felt somewhat nostalgic to hear following their newer music. Resounding a 70s NYC post-punk, art rock quality, the antithetical song title has very little in common with the song’s lyricism and sound. It is interesting to consider that this song is their first release and it was six minutes long, which critics were quick to notice was a bold move for them! A song that meanders and is constantly changing forms and direction, it is always interesting to see an artist’s natural progression in performance and how they adapt their old sound to fit with their new sound. When comparing tracks from 3D Country and Projector, their music has definitely become more fluid and brighter.
Tomorrow’s Crusade held that New Americana, country-style of music that the band often experimented with. Following on from this track, Cowboy Nudes, a popular track from the album, engages with eclectic experimentation in a constant shift of tone, from the heavy drum solo in the middle of the track assisted by lyrical homage to their beloved “New York City!”, followed by a recontinuation of a funky bass and percussion. The eponymous 3D Country slowed down the tempo and allowed the crowd to sway and cool down from the bouncing around.
Returning to the stage for an encore, they performed Low Era from Projector, a catchy and groovy track. Their final track boasts their musical journey, playing one of their first singles in a sold out show feels like a celebration to how far they have come at such a young age: I really look forward to seeing what Geese have to offer next!
Natalie Howarth
Edited by Tabitha Smith
Featured Image courtesy of Geese via Instagram
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