Following on from Revolver’s recent Nottingham performance, I was pleased to catch up with frontman Mat Flint regarding the band’s recent reformation, as well as its history. Throughout the conversation, he has an optimistic, confident and polite demeanour, and seems more than excited that life and circumstance has returned him to the pioneering shoegaze band he first formed as a teenager. Throughout the conversation, we touched upon the past, present and future of the music

Whilst speaking to him, it felt as though Ndabezinhle was actively ascending into his passion, getting lost in it and finding his gravity in it all at the same time. It was as though he was resting whilst being fuelled simultaneously. The Mic's Bea Kasale reports. The Original Cover of 33 Tall, Dark & Formidable — What might it sound like when a Black man cries? It’s many a time that I am softened by the quaint nature of creation. I am caressed and swayed gently each time m

Black British artists are redefining the nation’s sound, blending heritage, innovation, and resilience to shape the future of modern British music. The Mic's Mide Williams reports. Black British culture continues to flourish, weaving itself into the very fabric of modern British identity. From the way we speak to the food we eat, and most strikingly, through music, Black Brits have reshaped the nation’s cultural landscape since the early waves of migration. In the 2020s, our

Welly was back at Nottingham’s The Bodega  for the second time this year. His self-deprecation is an extremely humble act, because there is no way that what Welly is experiencing right now is anything but a comeuppance. Having released their debut album “Big in the Suburbs” in March this year, the band is surrounded by an air of excitement and budding recognition. “They say you play the Bodega twice –once on the way up and... nice to see you again”, Welly quipped. The Mic's A

In a city fuelled by basslines, one collective is redefining community through Dub, Jungle, and shared rhythms — carrying forward the tradition of sound systems, where music isn’t performed to  people, but with  them. The Mic's Roberta Douglas-Todd reports. As a resurgence of these eclectic genres transforms the music scene across the UK, somewhere between the coastal calm of Cornwall and the city pulse of Nottingham, a new sound is taking shape. While keeping the groove ali

Oasis introduced the world to (What’s the Story) Morning Glory?  in April 1995 with the song Some Might Say.  The band’s classic guitar sound signalled to the world that Oasis were back. Noel Gallagher has often mused that it is his favourite Oasis song; the British public agreed, and Some Might Say  was launched to the top of the charts making it the band’s first number one single. It was clear from this moment that the Manchester band were on the brink of becoming cultural

Welly was back at Nottingham’s The Bodega  for the second time this year. His self-deprecation is an extremely humble act, because there is no way that what Welly is experiencing right now is anything but a comeuppance. Having released their debut album “Big in the Suburbs” in March this year, the band is surrounded by an air of excitement and budding recognition. “They say you play the Bodega twice –once on the way up and... nice to see you again”, Welly quipped. The Mic's A

“ Brother, brother, brother . There’s far too many of you dying .”— Marvin Gaye The Original Cover of What's Going On You know, I can admit that I am young. Far more juvenile than juvenile can account for. Be that as it may, the consequence of love, the consequence of song, has bred a sense akin to knowledge but far more softer. The likes of love, song and dance have shaped in me what we might have regarded as inscrutable — what I am desperately endeavouring to convey, as car

“If I lost control, or did not have control, things would just... be fatal .” - Audrey Mubarak-Rowe The Original Cover of Ctrl Singer-songwriter SZA’s debut album Ctrl  is a dynamic piece that dives into the experience of self-discovery in early adulthood, encapsulating the good, the bad, and the ugly. While it resonates with young people from all backgrounds, the raw and unfiltered way in which she breaks down the constant balancing act between trying to maintain control w

Beyoncé, to date, is one of the most prolific living artists we’ve seen. For every critic she’s had, ten fans have risen to defend her name. She’s a woman who has cultivated a mass following and collected nearly every commercial accolade imaginable. From the world’s highest-grossing tours to record-breaking sales, and as of now, the most Grammy wins of any artist in history. Yet, there’s an underbelly to her discography, a body of work that doesn’t just fall under the radar b

In May 2025, PinkPantheress released her mixtape Fancy That , following the crowd-pleasing singles Illegal  and Tonight . The project marked a shift in both sound and perspective, pairing experimental production with more playful lyricism, a departure from the sombre tone of her earlier work. This month’s remix collection, Fancy Some More? , expands the mixtape’s vision, inviting collaborators ranging from throwback icons to rising stars into PinkPantheress’s sonic world. The

For almost as long as Gorillaz have existed, a deep concern for the happenings of the world surrounding the band at any particular moment...

As Revolver frontman Mat Flint mentioned in my interview with him, any understanding of shoegaze as a genre needs to be prefaced by an...

Nottingham’s prolific Hockley Hustle returns this October, transforming the city into a vibrant scene of sound, rhythm, and consensus. For just £15, you’ll gain access to over 45 venues and more than 400 performances across Hockley and Sneinton. Whether you’re into jazz, hip hop, drag, indie riffs, or have never seen a 60-piece orchestra in-person – the 19th of October is a date to remember. The Mic's Daniela Roux reports. Beyond the glitz and noise, the festival lives and b

How an East London-born artist is pushing the boundaries of genre and leading the evolution of emerging subcultures in the UK's music scene. Thomas does not just ensure that his listeners are hearing his music, but rather, experiencing the pulse of a generation. The Mic's Ellena Onyinah reports. Upon his latest album release, Submerge , with producer Pitch 92, it is more than overdue to shed light on the genre-defying vocalist that is Jerome Thomas. This riffing and running

Across the last five years, the resurgence of shoegaze within a new generation of music fans has been a phenomenon that many music...

The next huge rock band might be here, and their name is Geese. Since their debut album Projector , the NYC locals have been on an upward...

Mica Tenenbaum and Matthew Lewin form the synth pop duo we know as Magdalena Bay. Previous prog rockers Tenenbaum and Lewin pivoted to...

Taylor Swift's highly anticipated The Life of a Showgirl features her return to iconic producers Max Martin and Shellback. Marketed,...

Solange’s artistry has always been central to activism, but A Seat at the Table furthers this even more. The album reflects on identity, and the power of one’s voice to reclaim a space. This abstract review traces her alchemy of emotion into expression — and, without a doubt, something defiantly resistant. The Mic’s Bea Kasale reports. Original Album Cover of A Seat at the Table يأتي وقت حيث الصمت هو الخيانة “There comes a time when silence is betrayal.” — Dr. Martin Luther